Point and Shoot

Nikon Lite-Touch Zoom 120 Review by Jake Horn

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Released in the fall of 2000, the Nikon Lite-Touch Zoom 120 was one of the last film point and shoot cameras before Nikon shifted focus to the digital compact market. The final compact film camera they produced was the Lite-Touch 100W in 2003. By this point, consumer models had begun inheriting advance features to help them stand out from the competition. This particular model includes a built-in diopter, macro capability, panorama mode, and ED glass. There was also a non-quartz date version (not released in Japan).

Ready to Shoot

Ready to Shoot

SPECS:

  • Focal Length - 38-120mm

  • Min Aperture - f/5.3-10.5

  • Filter Size - None

  • Weight - 224g

  • Min Focus - 29.5“

  • Shutter Speeds - 1/360s to 2s

Full Lens Extension at 120mm

Full Lens Extension at 120mm

PROS:

While the design is very reminiscent of it’s time, the champagne and gold color scheme has really grown on me. This was the first camera I ever purchased and thought that black cameras were too common.

For a consumer grade camera, I find the build quality very good. The sliding body cover is great at keeping dirt and finger prints off the lens and sensors. There is a satisfying click when you get the door fully open, which triggers the lens into the 38mm shooting position.

Simple Control Layout

Simple Control Layout

CONS:

As with all entry level cameras, the automated features make shooting cumbersome. With professional SLR’s, you are able to set focus and shooting modes ahead of time. But with the Lite Touch, you find yourself fiddling with flash and focus modes every time you turn on the power. Today, it would be ideal to carry around as a backup camera and for quick snapshots. Sadly, the operational speed of the power on, focus, and film advance limits it’s usefulness.

While my original unit is still running well, this product line was known to have quality issues, including failing electrical components. With this reality, in addition to a design that did not prioritize durability, causes much concern for procuring a used model.

Panorama Slider (35mm Frame Crop Only)

Panorama Slider (35mm Frame Crop Only)

BOTTOM LINE:

Where this camera shines is the simple matter of having a 35mm film camera that fits in a jacket pocket. Unfortunately, that’s where the positives end. Even if you are able to find a pristine copy, I find the soft image quality not worth the effort. I would look towards other options such as a Nikon N75 with a light 50mm lens.

Film Load View

Film Load View

SAMPLE SHOT:

Captured on Kodak Portra 160VC

Captured on Kodak Portra 160VC


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